boxset numbered slipcase includes champion versions ep (red 12inch vinyl in 3mm spine sleeve), the patty patty sound ep (double yellow 12inch vinyl in 5mm spine sleeve) and los amigos del beta bandidos ep (blue 12inch vinyl in 3mm spine sleeve)

hello leif mueller on shtum. pleased to meet you. especially with such a strong debut release. everything is starting with the no-nonsense-techno track teleshop which is designed for big room pleasures. on wo ist meine playstation 4? things get a little more psychedelic without losing the straightness you need to get lost in the dance tunnel. cairo is a lesson in keeping goose bumps alive with its up and down galloping synth stabs. to cool things down, the stuttgart based producer drops nightcleaner, a quietly starting ambient affair that evolves into a little acid monster.

super rhythm trax’s sister label bleeper welcomes snuff crew for 3 tough cuts of jacking techno fit for dark warehouses with smoke and strobes. off kilter gurn-drones and the wonderfully suggestive ‘where’s the bad’ sample take over the a side while the ear-worm strings and bounce of ‘naughty’ meet the pacey yet tongue in cheek ‘warehouse boy’ on the flip.

2018 marks the reprisal of los angeles’ l. scatter with the new 7” figueroa & sunset, returning after 2011’s beat swap meet presents: the all vinyl mixtape. l. scatter’s new 7” features the heavy weight boom bap tracks “figueroa street”, “sunset blvd./cesar e. chavez ave”, and “chick hearn court”. as bonus beats, “sun” and “fig” exist as short instrumentals of “figueroa” and “sunset”. as a building block in project blowed’s infamous history, l. scatter’s legacy continues on a straight arrow progression, keeping intact the foundations that shaped an entire movement of technical hip-hop.

“monstrance” is mika vainio & joachim nordwall’s first album together and was originally released june 2013 via touch (to:88). it consist of drone works and pulsating electronic minimalism but also guitar, acoustic elements, organs and metal percussion. it was recorded in einstürzende neubauten’s berlin studio during an intense session in early summer of 2010. “monstrance” is a place where vainio’s and nordwall’s backgrounds as musicians and composers meet, and something new and extremely powerful is born. something deep, raw and direct…

jet li & calibre come from opposite ends of ireland. their love of drum & bass would have them meet often and their friendship grew. having played alongside each other over the years in ireland & europe, their mutual appreciation led to them collaborating in 2016, ending in the completion of 6 tunes.
their first release together will be out on function records in july 2018.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

crs ltd 005, -gray fox- is the first ep from the polish producer michal jablonski on vsk s label, following the last ep from the duo scalameriya and vsk himself. -find god- opens the release with an organic broken beat , which meet an evil cinematic voice. -post human being- is the hypnotic element of the release with a dark tribal groove. -gray fox- has a strong 4/4 kickdrum combined to a sound design high frequency scream. -phantom pain- is a madness slow beat rhythm with outstanding soundscape layers. crs ltd is really glad to welcome this amazing talent on the label.

for this first release badam music wants to remind us that nothing beats a good house groove. the renowned electronic producer from germany matthias vogt previously half of motorcitysoul comes with a classy house track called roger. catchy bassline and solid drum workout with precisely arranged snares, drum hits and sparse cymbals meet beautiful synths, vocal snippets and making things perfectly balanced. uk rising talent huxley delivers a handy dj weapon with his muscular remix and brings a different vision with a rough groove.

songs about the unity of sudan, peace between muslims and christians and the fate of war orphans, backed by grooves equally taking influence from arabic sounds, american funk as well as neighboring ethiopia. kamal keila was among the first artist we met in sudan during our two trips to khartoum and omdurman last year. he is one of the key figures of the sudanese jazz scene that was a vital part of the musical culture in sudan from the mid 1960s until the islamist revolution in the late 1980s. when we meet kamal he luckily presented us with two mold covered studio reels. each tape included five tracks. one with english lyrics and another with arabic ones. musically you can hear the influence of neighboring ethiopia much more than on other sudanese recordings of the time, as well as references to fela and american funk and soul. his lyrics, at least when he sings in english which gave him more freedom from censorship, are very political. a brave statement in the political climate of sudan of the last decades, preaching for the unity of sudan, peace between muslims and christians and singing the blues about the fate of war orphans called shmasha. a note inside one of the boxes specified the track titles, durations and the fact that the sessions were recorded on the 12th of august 1992. both sessions stand as a hearable testament how kamal keila stuck to a sound aesthetic from decades ago, while incorporating current events into his lyrics. kamal keilas album is the first in a series of releases covering the sudanese jazz scene on habibi funk. be on the lookout for albums by the scorpions and sharhabeel coming soon.

the tenth release on miles sagnia s aer, marking the tenth year since the labels inception. this time round, a more hypnotic dancefloor sound encapsulates the artists mindset. with previous releases on applied rhythmic technology (art), aesthetic audio, ornate music, common dreams, amongst others.together we glide into the pacier textures, where moments of intensity meet serenity.

dj rou & lite orkestra proves to be one of those original, eclectic and interesting projects for the musical research of the current scene. they got to know each other in the summer of 2014 and a character affinity was born immediately, later transformed into a very strong artistic empathy, so much so that in the immediate future they decided to meet often between bologna and verona for jam sessions, sharing ideas. in the summer of 2017, cognitiva records, label runned by sofatalk, became aware of the project and decided without hesitating to press 1.2,3, original tracks of the release “the ambassador’s way ep”. the compositions are a combination of the electronic drums of dj rou (mpc, korg electribe and other gears), the contrabass and the guitar of lachi + thomaspizzini, better known as lite orkestra. the result is a hybrid exuberance between jazz, afro and the experimental flow that derives from the roots of the jam sessions

when dorian paic, tobi neuman and patrick ense took a lunch break from their studio session they met house legend eric d. clark randomly at the burger joint. after a quick chat they took him over to tobi’s studio and recorded this delicious 12&#8243, for us. einzelkind founded la peña in 2007 as a label for friends to meet up, live, and release the music they love – and here we have the perfect example of such a serendipitous event.

backed up by a juicy mfdp club mix this release gives a nod to the golden era of house music and album cover art.
what ya doin !?

the world of b. is like a giant disco ball, where she likes to dance all around and meet some friends to share some music: roger thornhill gave classic disco perfection, hysteric sent a letter from the far east, or maybe from italy, turbo boom-boom chewed a funky bubblegum song to make a housy rolling track and baerlz reworked a boogie track, just what it needed to have the righteous construction for the dancefloor.

its around-the-clock block party with makelidey! first stop at l.a., meet jonas sella. second stop at lisbon, meet sandro. they both set the groove in the best tradition of minibarian beats. everything was set to bring pit spector on board and let him close the show with a superb piece of house.

m.e.r - montevideo electric recordings is an uruguayan record label named after its capital city, montevideo. supporting vinyl s cultural tradition, this was the chosen format for releasing the work of its artists. m.e.r sound found itself in constants evolution and mutation, merging latin groove and rhythm and it s african background with classic detroit sound generating a space where different cultures meet without being locked in one genre alone. through dj/live sets m.e.r artists deliver a strong commitment to spread club culture and techno/house heritage, with musical quality and a floor-oriented sound.

module werk continues his fine form of recent releases with another fresh sounding production for lime street music. slabs of raw drum patterns meet jittery acid and nervy cold synths resulting in four different trips for varying moods. jeremiah r appears on remix duties and turns out a real late night driving track in his usual signature style.

with its third release, hundert is diving further into the technological maelstrom that has slowly transformed our perception of reality and what this thing called life is. dj oks private messages poses some crucial questions about how we find, form and maintain relationships in our day in age. fittingly, its sound was forged seemingly everywhere and nowhere at once: classic new york-leaning deep house vibes meet uk-inspired gunshot sounds and the frantic grooves of contemporary outernational club music, balearic feels converge with the slick sound palette of our digital environments. private messages is as immersive as an ever-refreshing newsfeed, but just as emotional and real as the next person checking in on you via imessage. dj ja and dj neins third effort can be as much enjoyed in the sweat-drenched physicality of a crammed club as it may serve as the perfect soundtrack for when you are home alone, connected with the entire world via a dimly-lit interface. these four tracks will touch your heart like a spectre attack would infiltrate the device you are using right now. and you know that it is unpatchable. all hardware problems are.

general manager remarks dear extinguished guests, i on behalf of all the staff in scream time action represents our warm welcomes and sincere thanks to your come! the service aim of scream time action is to satisfy your requests in an all round way. everything we do here is to make you receive the best time and have spirit enjoyment. record number 3 is about the lost world, adventurous. if you have any inconvenience or valuable suggestions, please tell any employee that you meet right away. if you have optimal feelings here tell your friends, we will express our acknowledgement and keep uniform first rate service quality. sincerely yours, tight pants

american producer dustin zahn readies the next release on rekids special projects this april with four vigorous cuts entitled take the throne. dustin zahn has been flying the techno flag for two decades, releasing on labels like rekids when not helming the berlin-based enemy records, a label which has released music from artists like fellow us techno stalwart ambivalent, arts boss emmanuel, and innervisions producer yotam avni. zahn is also respected for train wrecks, his weekly podcast series inviting members of the house and techno community to discuss a wide variety of music and industry related topics and stories. the release opens with the thumping kicks and sci-fi melodies of take the throne before rolling into the dubby tones, infectious claps and rattling white noise of decorum. the atmospheric nameless midnight then follows, packed with echoing synths, tantalising effects and a twisted vocal sample that weaves throughout, arriving at the final track subtle flex where escalating synths meet syncopated percussion.

from the boom of the international neo-lounge revival italy has become the point of attraction of an almost maniacal interest. there is a lot of research work from different italian labels behind it. thanks to them even the latest generations have the chance to meet the made in italy sound of the soundtracks and library music and even more notoriety has been given to the genial arrangers, composers and musicians who have characterised the italian lounge scene of 60’s/70’s, such as ennio morricone and piero piccioni. a precious recovery of the past to revitalise the present, which builds up new ideas of the future. “metti una bossa a cena”, whose title is completely inspired by the famous soundtrack of ennio morricone, goes on into this research field, discovering very rare tracks of this italian bossa panorama. we believe the result is perfect. gerardo frisina, track compiler of this project, has brought to light some rare tracks and perfectly matched them to create an unique and elegant thread.

in the making of her first studio barnhus record, veteran dj and world-travelling introvert bella boo divided time between bedroom studios in ladbroke grove and hornstull, where she would hook up a dusty old tanzbaer, press record and sing straight into the laptop microphone over fuzzy r&b harmonics and snappy analog drums. the result is a collection of fascinating and fascinatingly groovy tracks, shuffling about with grace and vigour in the secret place where warm club music and introspective audio diaries meet to mingle.

a compilation of classic elvis presley songs on 180 gram vinyl.

wah wah 45s will release orange whip, the new album by their latest signing, honeyfeet. the outfit, who have received praise from the likes of the guardian, have also set festivals alight up and down the country with their unique melange of sounds. for the last couple of years the honeyfeet (who name from a line in the blues brothers film) have been a conduit for the ideas and expressions of an exotic mixture of manchester based musicians. this genre-defying band incorporate styles including jazz, folk and hip hop into their music. someone once called it folk-hop and barrelhouse-pop, and that’s just vague enough to make sense.

after the sublime triple 12inch re-issue of the sonar bases 4-10 album on deeptrax records, it s now time for the second installment in the sonar base transmissions series: the album dark matter . all 6 tracks were produced by frank de groodt around 2004/2005 and were only released in the inner circle, never released on vinyl. this mini lp still sounds as fresh as it was produced 13 years ago, experimental on the drums and synths. when listening to sonic discharge and velvet sky of sonar 6 , the link with drexciya is easily made. sonar base takes you further into outer space territory with the dark sounds of polygone suffering and the title track dark matter there is the clear idm feel of tracks like meet you at tower 3 on sonar 7 . dark matter is a hypothetical type of matter distinct from baryonic matter (ordinary matter such as protons and neutrons), neutrinos and dark energy. dark matter has never been directly observed, however, its existence would explain a number of otherwise puzzling astronomical observations the mini lp is limited to 400 black versions and 100 on limited edition purple marbled vinyl, pressed by deepgrooves and fully remastered by thee j johanz. you know the drill!!

black vinyl! fluxions ripple effect is the film score for a non-existing motion picture. this 9-track album is the result of experimentation and the combination of the producer’s two most cherished art forms: electronic music and score music. ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid. the albums production took two years from its original conception for the subliminal story to unfold into the completed product. fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. in the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.

ltd clear vinyl! 1per customer - fluxions ripple effect is the film score for a non-existing motion picture. this 9-track album is the result of experimentation and the combination of the producer’s two most cherished art forms: electronic music and score music. ironically the two worlds rarely seem to meet, despite the fact that score music has adopted a looser form in order to better adapt to film accompaniment, bringing it closer to electronic music which attempts to contradict form or shed it altogether. fluxion felt the need to bring these two musical forms into dialogue with each other, lending structure to electronic and deconstructing score music to create a malleable and expressive hybrid. the albums production took two years from its original conception for the subliminal story to unfold into the completed product. fluxion wanted to say as much as possible through the music, leaving the visuals as a blank canvas for the listener to create their own story. in the end, the goal is to give each member of the audience a unique audiovisual experience based on their own perception and interpretation.

amsterdam based label anagram readies label co-founder sinfol s first solo release in three years entitled pull back . the release, which features four passionate tracks, sees the light of day in the beginning of april. since the launch of anagram three years ago the label has put out a steady flow of releases from artists such as anetha, octual, stefan vincent, elad magdasi and haze. however, the imprint has also acted as the main platform for sinfol s own productions. blurring the line between various subgenres, the dutch artist is an eclectic one and meanders between acid, house, techno and more. the chords and arpeggios set the mood in life off measure where robotic elements rise to meet them, carving the way for result with its oscillating tones, clap fueled percussion and three-o-three licks. pull back is packed with a thunderous energy that s intertwined with sinfol s soulful vocals and ethereal synths, before swaying into deep house territory with exhale . the track s rolling bass, broken drums and twinkling melodies round off the latest instalment on the rising amsterdam label off in a graceful manner.

the comeback of the growing bins favourite private german jazz funk gem. spring is in the air and groove is in the heart for hamburgs most loveable record label. following the freak beat festival of wolf and wandts instrumentalmusik comes a release thats been in the pipeline since the organic imprint first took root the first reissue of the beautiful senora. beguiling and brilliant, this private press princess makes you want to dance, dream and do cartwheels, then breaks your heart when you realise youll never meet her a rare beauty indeed. so its time to let basso play cupid and introduce you to the love of your life

as the lead singer of george darko s legendary burger-highlife hit-band, lee dodou became the number one voice of 80 s highlife. born in kumasi, the epicenter of ghanaian highlife, he came to berlin in the late 70 s - by then the uprising epicenter of burger-highlife - to work as a back-up-singer for pat thomas. after joining and leaving georg darko and running his own band -kantata-, he stopped releasing music in the early 90 s. now, philophon is proud to present new recordings of his soulful genius to the world of 2018. basa basa is a song in the classic -concert party- style, as it was played in the glorious 60 s. after a firey horn introduction lee takes over in that funny and entertaining manner typical for -concert party- music. buzz duncker joins lee s phrases with some gentle clarinet. highlife at its best! sahara akwantuo is anything but a classic: it s the start of a kind of philophonic highlife, labeled as kraut-life. ghanaian love of life meets german romantic melancholy. happy rhythms meet mysterious synth landscapes. eternal summertime and mangos are meeting a wet winter world and roast apples. kraut-life at its best!

burning rose and pelvis records meet in the middle to dish up dormir, a two piece machine from melbourne, australia featuring morgan wright (formerly of melbourne hardcore act imprisoned) and harry maslen (formerly of postblue). two tracks of blacked out vocal electronics originally released on cassette are now brought to the floor with remixes by leo james (canyons, berceuse heroique) and cop envy (opal tapes, templar sound). cover art by misha hollenbach (p.a.m.) squares the corners on this all australian slab of sound.

a timeless collection of 19 soulful ballads that define the genre.

milan, italy, 1983. in the midst of the 80s economic boom, which gave an injection of optimism after the heavily political 70s, a group of young local musicians meet every night in a basement to rehearse and record a peculiar breed of italian disco music. originated from the ashes of various other projects, and rooted in the broader jazz-funk tradition, the group creates music which is equally inspired by contemporary fusion as well as by the first wave of the italo-disco sound. over approximately 3 years the band has recorded and played live, until the dismantling of the project towards the mid 80 s. fast forward 35 years and the genuinely mediterranean flavor of qvark s demo recordings are still enjoyable, both for the actual resurgence of the italian disco tradition and for the groovy quirkiness of a project which has been too long forgotten. after an intense work of audio restoration of such tapes, heavily affected by time, early sounds is pleased to present a compilation which is an important find to define the sound of late 70 s and early 80 s italian club sound.-

the goldie award winning producer / dj debuts on alpha pup with a four track ep on orange & black splatter vinyl. across 15 hours to la, holly uses otherworldly synth tones, dissonant staccato, heavy low end, and frenzied digital drum-work, providing a synthetic journey where technicality and style meet at a unique crossroads.

with his album in between re:deep presents not only an impressive specimen of his musical spectrum. the artist also merges deep house elements and experimental folk as well as extremely minimized indie pop into a whole new sound concept. re:deep intensively bends the boundaries of the genres, delves deep into the soundscapes of different epochs and styles. thereby warmly crackling field recordings blend into analogue basslines and sequencers as well as melancholic guitar drones meet sensitive vocals. the always smoothly appearing and cocooning sound is the subtle recurring theme of the whole album, which develops a close intimacy and captivates by its analogue warmth, which you can t escape of. tender strings float on vibrant drums and wafting surfaces. the album features the japanese artist cokiyu, her voice in combination with the arrangement form a symbiotic relationship and evolve wearing lights into a journey through slowly drifting electronica landscapes. the field recordings, which were made - inter alia - in iceland s rough countryside, are particularly noticeable between the lines and infuse the soul of the album as well as the love to detail in general. a total of nine tracks are featured on the album, which convince not only by their sound density and close interconnectedness, but also by the shift in emotions. music, that is enjoyable at your home as well as on the dancefloor and - after all -just touches your body and soul.

2018 repress incoming!
dispatch recordings is proud to count the manchester legend among its ranks from now on. you cant have missed one of the numerous top notch sounds he’s been providing throughout his long career. he is now gathering a forward thinking and historically self conscious music that we could easily define as pretty unique in its genre. the soul:r boss offers us this time a really valuable glimpse of what d&b should be nowadays: inventive, energetic and technically perfect. when all these elements meet the great sense of groove of the big soul master, you have a result you can genuinely be happy with. so are we.
dj support from: ant tc1, rob da bank, calibre, artificial intelligence, doc scott, fabio, marky, dbridge, rockwell, octane & dlr, need for mirrors, dabs, lenzman, survival, youngsta, skeptical, to name a few.

mesh-key is pleased to announce the release of a lavish, limited edition run of this heretofore unheard collaboration, finally seeing the light of day 15 years after its recording. acoustic instrumentation and synthesizers meet mukai’s haunting voice for four sparse, minimalistic compositions unlike anything in either artists’ previous output. . mesh-key is pleased to announce the release of a lavish, limited edition run of this heretofore unheard collaboration, finally seeing the light of day 15 years after its recording. acoustic instrumentation and synthesizers meet mukai’s haunting voice for four sparse, minimalistic compositions unlike anything in either artists’ previous output.

reflex in waves brings together a series of sonic approaches manning has been developing for over a decade. specifically, manning’s work is concerned with waves and the impacts of their resulting vibration. quietly producing audio works out of his studio in yeronga, on the south side of brisbane city, manning’s works are based on a series of deeply personal instrument designs, tape manipulation and other exploratory approaches. his instruments, which are often percussive, use harmonically related materials that are activated by motor-driven strings. the resulting sound is a chaotic but pulse-like cluster of harmony.

love & loops is back! after a long time since our last release, we returned with a very special and expected ep, this time ale castro joins the legendary voice of house music: mr. robert owens !!! i come to you ep was created between argentina and berlin the city where robert and ale meet for the first time. after forging a beautiful friendship they agreed to give back to the dance floor something that was missing, the message of love, in times where the music mostly has no voices and has excessive drops all time it s time to go back a bit to the roots, it s time to sing again all together about love, respect, peace, and celebrate that on the dance floor we are all one and we are all the same. beautiful arrangements by the galactic keyboard master stephanos result in 3 beautiful songs that together with an excellent remix of the secretary of love manuel sahagun make up this beautiful and groovey vinyl that you will not want to miss in your collection, love & loops records, music made with much much much much love, loops, and some random machines ...

great heavyweight 2lp-set featuring the best tracks from the 1972 to 1975 period including the group s signature track -gamma ray-. birth control is among the longest running german bands and were formed wayback in 1968 in berlin. the group had several line-up changes over the years and fused krautrock with progressive rock and the blues rock genre, with percussive keyboards & synthesizer effects an unique sound was created.

solar shield kicked off the austin boogie crew records discography with a bang in 2014 with his -reesis- 45 -- so much so that the labelhad to press it 3 times to meet demand. now , austin boogie crew present his much anticipated selftitled lp with 9 tracks of laid back modern funk! . austin, tx, musician chris mcdowell is a wonder on the keys. under his solar shield moniker texas producer chris mcdowell creates exuberant compositions that elegantly walk a tightrope between modern funk and electronic beat music. this quality nine track release features songs created between 2011 and 2013, settling into the modern funk cannon of 2018 with ease.

black vinyl , four tracks with marcel dettmann / silent servant & pye corner audio

ltd clear vinyl , four tracks with marcel dettmann / silent servant & pye corner audio

art pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange), tom dissevelt and kid baltan (bowie’s favourite band) meet tame impala. the fifth album from marsmobil has been hailed by many as their best yet. with closer ties to “minx” (2006) than the last two albums, “fairytales of the supersurvivor” returns to marsmobil’s signature strength of wondrously brilliant songs (“and the fishes in the ocean”, “shadows of the inner light”) that blend off-the-wall cinemascope sounds with dazzling beats and punchy, powerful hooks to create uniquely distinctive art pop anthems. as always with marsmobil, roberto di gioia writes, plays, sings and programs everything himself. here, as on “minx”, he’s brought in support from a fabulous singer – the very wonderful amber lin, who contributes vocals on four songs. all the cover illustrations are also by di gioia.

early 80s. christiane f and tron meet over a brutalist landscape. clock is ticking. electronic pioneers bang up post punks. dirty hits. take more. time is running out. northern european sub-cultural appropriation to destroy the dance. still, it sounds good. and it looks nice. nice sleeve art. move along. move along.

meet laval, a newly founded french duo who previously delivered two amazing tracks for stockholm ltds new >patch< series, >emotion machine< and >spitshine<. now it is time for their first ever solo ep. >twsr< is a diverse selection of brilliant timeless techno, yet contemporary in the words right meaning. we are overwhelmed to kick off 2018 with such a bang!

get physical is proud to announce the release of the first ever album from chicago house luminary dj pierre. entitled wild pitch: the story, it collects originals and remixes old and new, and stands as a testament to the unique skill of one of dance musics most important figures. famously, dj pierre as good as invented the squelch of acid house when playing with his roland tr-303 drum machine as part of phuture back in the late eighties. from there he went on to clock up more than 200 credits under aliases like doomsday, prime one, raving lunatics, ac!d face, dj pierres afro acid project and many more. he also became famous for the wild pitch mixes and alias that lend this album its name: they were characterised by long intros, layer upon layer of strings, repetitive vocal samples, and filtered hypnotic sounds on hard beats. working with labels like strictly rhythm, trax, king street, nite grooves, international deejay gigolo and more recently get physical, pierre has contributed hugely to the global evolution of house music for thirty years plus. this is a timely reminder of that and one that is jam packed with essential tunes that, old or new, still sound impossibly fresh. included is a cover version of donna summers classic and pioneering disco cut ‘i feel love. it is a 9 minute masterpiece of loose drums, wild acid lines and synthesised squelches that build and build before the vocal arrives and carries you away to the stars

split ep with da hool / dj looney tune / bountyhunter

all the classics from this legendary belgian label combined on this limited boxset!